The Night of the Triffids

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Barratt-Due, Else; Myhre, Nan Kristin (6 September 2012). "Nostalgisk grøss" (in Norwegian). NRK. Archived from the original on 10 May 2013 . Retrieved 1 October 2012. Twenty-five years after the original novel ended, the enclave on the Isle of Wight is still holding out against the triffids. The triffids gain an advantage after an astronomical phenomenon plunges the entire planet into darkness. David Masen, the son of the original novel's protagonists, goes on an adventure during which he meets a girl who has survived for years alone in triffid-infested surroundings, and a group of American survivors based on Manhattan Island. Modern Stasis: Bill Masen tells David that the Isle of Wight community has hardly changed in the thirty years since it was established, and that, apart from a few things, the only thing they are able to do is to restore old things. He predicts their community will die if something is not done soon. The base of a triffid is a large muscle-like root mass, comprising three blunt appendages. When dormant, these appendages draw nutrients, as on a normal plant. When active, triffids use these appendages to propel themselves. The character Masen describes the triffid's locomotion thus:

Morning Story – BBC Radio 4 FM – 27 July 1988 – BBC Genome". BBC. 2014 . Retrieved 11 December 2014. One of Clark's most popular novels, Vampyrrhic, has been followed by several sequels. Clark has said that he is not a fan of vampire novels. In the 1990s it was his view that vampires were becoming romantic, attractive figures. His intention in writing the book was to make the vampire loathsome, repellent, and ultra-violent again. [4] The Night of the Triffids [ edit ] The appearance of Torrence again seemed unnecessary and implausible. It seemed far-fetched in the first place in Wyndham’s book that the same person Bill casually meets in London would turn up five years later on the South Downs. To find the same character twenty five years later in New York is even more unbelievable. It felt rather like a forced link, an attempt to join the two books together. Triffid queen - The Cataclysm: Dark Days Ahead Wiki". Cddawiki.chezzo.com . Retrieved 11 April 2022.Unlike the first book, the racism present is mostly argued against. We find our main character in New York for a time and he discovers that people there have regressed to segregationists, shunning anyone who is not white and also anyone who is unsighted. The main character in this book does find the courage to vocalise that he does not approve of the behaviour. Green, Michael Douglas (2000). Social critique in the major novels of John Wyndham: civilization's secrets and nature's truths (masters thesis). Concordia University.

Fiction Book Review: His Vampyrrhic Bride by Simon Clark". Publishers Weekly. 18 September 2006 . Retrieved 31 October 2014. As for aquatic and gigantic triffids, this was unscientific at the very least. Organisms evolve and adapt when conditions change. But if the triffids had already conquered the world, why would they need to change so dramatically in twenty five years? Again, it was just an unnecessary invention as bog-standard triffids create enough exciting situations as they are.

This novel contains examples of:

Triffid refers to the plant's three "legs". [3] In the novel a dozen names beginning with tri-, with a long i vowel, had been bandied about before the term standardized on "triffid", with a short i. [3] Initial appearance and cultivation [ edit ] Simon Clark was born on 20 April 1958 in Doncaster, England. He is married and has two children. [1] Writer Simon said: “I was such a big fan of John Wyndham’s work and I loved the original novel, which I read when I was 12 or 13. I finished it, and thought there would be a sequel because it’s such a good story, but of course there wasn’t one. So years later when I became a writer, I wanted to continue the story, just for myself, to see where the characters would go. I mentioned this to my agent, who thought it was a good idea, and he spoke to the people who represent John Wyndham’s estate. I had to write a few sample chapters which they liked, and was allowed to do the novel. It was a real labour of love.” One morning Bill Masen?s son, David, now grown up, wakes to a world plunged into darkness. Now, the triffids have an advantage over even sighted humanity.

The novel frequently brings into question the utility of individualism during the apocalypse. Colin Manlove highlights this phenomenon in his essay "Everything Slipping Away: John Wyndham's The Day of the Triffids": [23] Gould, Simon (29 December 2016). Masters, Kelly (ed.). Land Of The Triffids. Independently published. ISBN 978-1-5202-5744-0. The triffid is a fictional tall, mobile, carnivorous plant species, created by John Wyndham in his 1951 novel The Day of the Triffids, which has since been adapted for film and television. The word "triffid" has become a common reference in British English to describe large, invasive or menacing-looking plants. [1] Fictional history [ edit ] Origins [ edit ] BBC One - The Green Planet - The technology that captured The Green Planet". BBC . Retrieved 2022-05-03.The plant can be divided into three components: base, trunk, and head (which contains a venomous sting). Adult triffids are typically 7 feet (2.1m) in height. European triffids never exceed 8 feet (2.4m), but in tropical climates they can reach 10 feet (3.0m).

In 2001, fifty years after the publication of The Day of the Triffids, Simon Clark published a sequel, The Night of the Triffids. Set 25 years after the end of the original, it follows the story of Bill Masen’s son, David. He has become a pilot, living in the community on the Isle of Wight that was referred to at the end of the original. Walker, Tim (3 January 2010). "The Day of the Triffids, BBC1/Tsunami: Caught on Camera, Channel 4". The Independent. London. Archived from the original on 5 November 2012 . Retrieved 12 August 2012. The triffids also show awareness by their habit of herding blind people into cramped spaces to kill more easily [4] and rooting themselves beside houses, waiting for the occupants. [5] A triffid, on a poster for the 1962 film adaptation In other adaptations and sequels [ edit ] Baby Factory: A non-enforced version appears in the Isle of Wight, where blind and sighted women live in great houses together, having children with any man they choose, and taking care of the children communally. The New York community has women basically treated as slaves, forced to have many multiple pregnancies. In 2002 Clark won the British Fantasy Award for best short story, "Goblin City Lights", and best novel for The Night of the Triffids. [8] "Goblin City Lights" originally appeared in Urban Gothic: Lacuna and Other Trips (2001), published by Telos Publishing. [9] Clark said that the story first started when he wandered into a London graveyard, which he cites in an article, "The Art of Wandering", as a good example of his technique. [10]In this story a pseudo-blindess is caused by an enforced darkness which parallels the main blinding event of the first book. This was an interesting choice really, it seems a bit too samey at first glance, but this time every person is affected apart from those who were blinded thirty years prior and now they have the advantage of their experience, plus this time any advantage for the Triffids is countered by their need for sunlight. Clark has also written prose material for U2 in the fan magazine Propaganda. [6] Major works [ edit ] Vampyrrhic novels [ edit ] Clark's opening consciously echoes Wyndham's. In Day, narrator Bill Masen woke to a world blinded by strange radiations. Twenty five years later, his son David wakes to a different mysterious darkness. When people can't see, those deadly walking GM vegetables the triffids have the advantage. They got out of hand in Day and now not only dominate the continents but are learning how to invade human refuges like the Masens' Isle of Wight. Simon Clark, author of The Night of the Triffids, stated in an interview: "The film version is enjoyable, luring the effective looking Triffids away with music from an ice-cream van and some other good action scenes. The Triffids' death-by-seawater climax is weak and contrived though. But it would still rank in my all-time top 100 films". [5] a b c Määttä, Jerry (2017). "The Politics of Post-Apocalypse: Ideologies on Trial in John Wyndham's the Day of the Triffids". Science Fiction, Ethics and the Human Condition. Springer. pp.207–226. doi: 10.1007/978-3-319-56577-4_13. ISBN 978-3-319-56575-0.